Tag Archives: judith shaw

Empathy, Compassion and Forgiveness: The Wisdom of Branwen

From the mists of Welsh mythology Celtic Goddess Branwen provides important wisdom for our modern world. Themes of the destructiveness caused by viewing those different from us with distrust and fear are found in her story. Vengeance is revealed as a downward spiral of pain and suffering. She illustrates the healing role empathy and compassion for those different from us and forgiveness for those who have wronged us can play in a world gone mad with war.

Branwen, Celtic Goddess of Love and Beauty, painting by Judith Shaw

Branwen was the sister of the giant, King Bran of the Isle of the Mighty. She was loved by her people for her gentleness, compassion and beauty. In the tradition of the Old Tribes of the British Isles, the son of the sister of the current king would become the new king upon the death of the old one. Thus Branwen is the embodiment of Sovereignty. She is the Center from which all life emerges. She rules over both the spirit of and the physical manifestation of the Land. Her vision is long, seeing the whole, the greater scheme of things.

Branwen is most likely a proto-Celtic Goddess, whose name means “White Raven.” Her story, as told in the Welsh compilation of stories, The Mabinogian, began with love. 

The Irish King Matholuch came to call and a new course was set for both the Island of the Mighty and Ireland. He had come seeking marriage with Branwen. Never before had a woman of the old tribes left her people to marry a foreigner. And foreigners were often feared. 

Matholuch was given permission to land. Branwen was called for. A feast was prepared and the two fell in love. Though Branwen dreaded the thought of leaving her people, she was in the grip of first love. But Matholuch, though also in the heat of first love, never lost sight of the fact that Branwen was the gateway into the world of kings to come. In his mind their son would rule both Ireland and the British Isles thus extending the power of his own legacy. 

An agreement was reached and the marriage took place. The marriage feast lasted for many days. Night after night Branwen and Matholuch shared the fire of their growing love.

But trouble was brewing as one of Branwen’s four brothers, Eynissyen had been away during this time. He, a hot-headed troublemaker, became angry to not have had a voice in the decision. In his anger he sought a way to harm the Irish and violently maimed their beloved horses.

Evnissyen’s act of terror caused an uproar and threatened war between the two peoples. Bran and his brothers knew that the only true atonement in the eyes of the Irish would be the death of Evnissyen in retribution for the Irish loss. But this they could not do as it violated the very essence of the way of the Old Tribes — ways that sought resolution to conflict without blood vengeance.  

So instead, Bran offered Matholuch a face-price — a monetary reparation such as had never been offered before. An agreement was reached. But seeing that Matholuch was still uneasy, Bran offered yet another boone — the cauldron of rebirth. Any warrior killed could be thrown into this cauldron and would emerge to fight again. Bran warned Matholuch that a wise king would not use this cauldron as these unearthly beings can do nothing but fight and cause total destruction. Unfortunately Matholuch was not a wise man. 

And so Branwen sailed to Ireland with her man and they were happy for a few years. The people were dazzled by her beauty and charm. Their son, Gwern, was born. Matholuch felt sure his plan for his son to become king of both lands was well underway.

Up to this point, news of the maiming of the Irish horses had not reached the ears of the Irish people as the High Druid had forbidden the warriors to speak of the incident. But the High Druid died when Gwern was a baby and men’s tongues loosened with news of the insult. The Irish were furious at not getting blood vengeance. Ultimately they demanded that the King put Branwen aside and punish her for her brother’s sin — the wrong committed by a foreigner.  And he, coward that he was, acquiesced to their demands, sending her to work in the hot kitchen.

For three years Branwen was alone, without a friend in the world. She endured shame and daily beatings. Finally one day she found a wounded baby starling. Approaching the starling with concern, an idea hatched in her mind and hope was reborn. She nursed the starling back to health and slowly taught it how to deliver a message to her brother, King Bran. 

Finally the time arrived for the starling to fly. Branwen released her friend into the air who flew away across the sea to the Island of the Mighty. 

It was a long and terrifying journey but finally the starling reached its destination. It found Bran and spoke the words Branwen had taught it.  

Horrified at the news, Bran amassed the men of Wales and set out across the water to free Branwen. 

Upon their arrival, and due to Branwen’s urgings for a peaceful settlement, Branwen’s release was negotiated. The face-price for peace was that Branwen’s son, Gwern would be the Irish High King and the building of a house large enough to house King Bran, a giant among men. 

But once again Evnissyen, the hot-headed brother, intervened with catastrophic results. During a celebration of the peace, Evnissyen threw Gwern into the fire, killing him before anyone could react.

War broke out between the two peoples that destroyed them both. At the end of that day many lay dead but worse was yet to come. The Irish, hot with blood lust and vengeance, made the fateful decision to use the cauldron of rebirth to obtain demon warriors. Terrible battles raged and it seemed that all was lost. 

Evnissyen finally accepted responsibility for all that had arisen. He sacrificed himself by going into the cauldron alive and breaking it apart from within. Toxic fumes engulfed all and by morning everyone was dead, save those sheltered in the Irish Halls of Tara and the newly constructed House of Bran. 

Bran sent word to the Irish that they would leave the island on the morrow to what peace and reconstruction could be had. Treachery and vengeance once more reared its ugly head as the remaining Irish warriors ambushed the remaining Welsh, ultimately delivering a death blow to Bran with a poisonous spear.  Bran, not wishing to endure a lingering death asked his brother to cut off his head and carry it back to Wales. 

Branwen could endure the pain no longer. She died of a broken heart at the disastrous results of her call for rescue. Only seven men returned to the Isle of the Mighty, accompanied by the magical, talking head of Bran.

The story of Branwen, Goddess of Love and Beauty is truly one of sorrow. But love infuses her story from beginning to end. Through love she seeks to unite the two lands and its peoples. With empathy and compassion, she forgives and continues to seek peace even after her years of suffering and the murder of her son. Yet these qualities do not include excusing the offender — Branwen finally shut Matholuch out of her heart forever. 

Branwen is a beacon, lighting the way for us all through dark feelings of hatred and vengeance. She leads us to a bright land with hearts full of empathy, compassion, love and forgiveness. 

Though the places and peoples involved have changed since those long ago days in the British Isles, the same problems persist. The time is well over-due to end the cycles of retribution — a system of justice that could ultimately destroy the whole world. With empathy, compassion and forgiveness we can find a path to restorative justice.

Judith’s Celtic Goddess Oracle Deck is available. Click here.

Transforming a War Goddess into a Spiritual Warrior — Andraste, Celtic Goddess

The drums of war continue sounding across the globe. While I am safe and sound in my privileged American life, I feel the pain and suffering. Machine guns are fired; bombs are dropped; and children, women and men suffer horrific injuries and death. How can we still be immersed in this energy of death and destruction in the 21st century? How can human consciousness still be so filled with fear?

Perhaps it’s baked into our genes. Most all of us today are descendants of a warrior tribe who either wiped out or conquered and assimilated with an indigenous population. Though the artifacts of ancient pre-history offer a possibility that we once lived together in harmony, worshipping the Mother Goddess and Earth — history, defined as having a written record of events, is definitely one long litany of cruelty and atrocities, of male dominance and aggression, of violence and war.    

Mythology can be a helpful lens through which to view the march of history. The goddesses and gods are archetypes, illustrating the many facets of human experience for us. They light the path of connection between all Earth’s creatures and Earth herself, helping us understand ourselves and our place in this beautiful, yet often difficult, world of duality.  

A Companion For the Journey, oil on canvas inspired by the Neolithic Bird/Snake Goddess figures.

As the world changed and the domain of Mother Goddess turned to a world filled with violent conquest, ancient Celtic sovereignty and fertility goddesses added another aspect to their influence – becoming War Goddesses who struck fear in their enemy’s hearts as they fought to defend their territory.

As a woman who believes in peace, I approach the warrior aspect of the goddess with trepidation. How does one reconcile acts of violence carried out in the name of a war goddess, with a love of peace? What wisdom does a war goddess have for us today?

Very little is know about the Celtic War Goddess, Andraste, but it is very likely she is a later, Brittonic variation of the Celtic War Goddess, The Morrigan. – an ancient goddess who originated in the mists of pre-history. Like The Morrigan, she was also a Sovereignty and Fertility Goddess.

The Morrigan, Celtic Dark Goddess, painting by Judith Shaw
The Morrigan, gouache on paper by Judith Shaw

Andraste’s name means “the invincible one” or “she who has not fallen.” Ravens were sacred to Andraste as well as The Morrigan. She was the patron goddess of Boudicca, Queen of the Iceni tribe in 1st century Britain. Her name was invoked before battles to ensure courage and victory.  She was a goddess of prophecy whose omens predicted the victor in battle – another similarity to The Morrigan.

Andraste, gouache on paper, by Judith Shaw

Boudicca, whose name means “victory,” led a revolt against Roman rule in 60CE. Her name suggests an association with the Welsh goddess, Boudiga, whose name also means “victory.” It is possible that Boudicca was not her given name but a religious title given to her in the early days of the rebellion. That would make Boudicca an earthly manifestation of Andraste in the eyes of her followers. That could account for her ability to unite the constantly warring Celtic tribes against the Romans.

It is reported that Boudicca released a hare before her great victory as a means of divination. The outcome of the battle could be read by the direction in which the hare ran. Victory for the Celts was predicted, most certainly lending great courage to those taking part.

Andraste’s  stories are lost to us today. We mainly know of her through Roman accounts of Boudicca’s sacking of London and other Roman held cities. According to Roman historian Tacitus, Boudicca’s army was extraordinarily savage, especially in retaliation against Roman women who were rounded up, murdered and mutilated in a grove sacred to Andraste.  

Having been publicly flogged and her two daughters raped by the Romans (the ultimate insult to fertility and the goddess), was it Andraste who urged Boudicca on to such savagery and blood vengeance. Or was the brutality the Romans inflicted on the Celtic tribes of Britain in general and her tribe, her daughters and herself in particular, what caused Boudicca to respond in such a way?

Boudicca’s victory was short-lived. When the Roman provincial governor Paulinus returned from a military campaign in Wales, the Romans gained the upper hand, completely defeating the Celtic tribes. It is believed that Boudicca and her daughters killed themselves rather than be captured. 

And so how do we today gain from the wisdom of a goddess like Andraste?

Might it be that we create the goddesses and gods in our own image — reflections of our own state of consciousness?

The only thing we know for sure about Andraste is that she was worshipped in sacred groves — places that give access to the spiritual realm. Considering the level of destruction humans are capable of today, perhaps we should see our War Goddesses as Spiritual Warriors. As Spiritual Warriors such goddesses can guide us in finding peaceful solutions to our disagreements and conflicts. We must evolve or perish it seems.

Light and dark, good and evil, spirit and matter, male and female — all examples of the duality found on Earth.  Andraste, She Who Has Not Fallen, helps navigate these dualities. She guides you through the chaos of transformation to personal empowerment. She lends you courage and strength during times of struggle. She helps you to right injustices and find your true purpose in life.

It is up to each of us to find a way forward that avoids the pitfalls of violence and war. 

Judith’s Celtic Goddess Oracle deck is available on her website shop. Click here.

Reindeer Spirit Animal

Well it’s that time of year again when we remember reindeer.  Even in southern climes where reindeer never go you’ll find them adorning roofs and buildings –   the inhabitants hoping for the arrival of winter gifts delivered by reindeer, Santa and sled.

Reindeer have been important to humans since our early days as hunter-gatherers. Found in cave paintings throughout Europe and Asia, reindeer are depicted as soaring through the air, perhaps acting as intermediaries between the human world and the spirit world.

Symbolic Meanings

Journey, Confidence, Stability, Guidance, Endurance, Adaptability, Sensitivity, Abundance, Fertility, Light, Life, Rebirth of the Sun, Soul Journey

Reindeer-spirit-animal-painting-by-judith-shaw

Read more about Reindeer – their history, lives and symbolic meanings on my recent post on the Feminism and Religion blog.

Celtic Goddess Oracle Cards

Finally, after almost 5 years of work my deck of Celtic Goddess Oracle Cards is ready.  The cards are designed: the stories are written; the only thing lacking is the funds for publication.

To that end I have just launched a crowdfunding campaign with Indiegogo.  Here you can pre-order the deck with it’s booklet (out by Thanksgiving) or one of the other many perks of prints and originals of my work – all at reduced prices.

Click here to visit my Indiegogo campaign.  Contribute if you can. If not and you like the project then please share the page with your friends.

My most recent post on the Feminism and Religion blog is of Corra, Celtic Celtic Goddess Art by Judith ShawSerpent Goddess. Corra, whose name is almost forgotten today, embodied the Earth, calling forth the serpents of life, death and rebirth to twine the magic of eternity around the lives of our ancestors.

Corra is of the earth and yet She can also transform into a crane, symbolizing the transformation of body to spirit on our journey through the great circle of life. 

Click here to read the rest of Her story

Love – Only for the Young?

Red Moon - Blue Sea, painting by Judith ShawAs summer comes to an end, I find myself remembering a summer of many years past – The summer of the waning crescent moon dropping red into the sea as we drove the shores of the Aegean at 3am heading home after an evening of food, drink, dancing and conversation.

United by love, drawing by Judith Shaw

United by Love, oil pastel on paper, 9.5″x12.5″, by Judith Shaw

White the beach, black the sea, deep blue the sky – bands of color running along side us – the air caressed us both with its soft, moist breath.  It was a summer of love, a love I’d never known before.  It was love at first sight and yet we danced slowly into each others arms. It was an impossible love as we came from worlds far, far apart, both in distance and in cultural expectations. And yet we fell into the depths of that love, coming together for one extraordinary summer of intense communication, both spiritual and physical.

That summer ended and I had to return to my own land.  We planned, we hoped, we expected to be together again soon.  But that was not to be as the vast, vast distances of culture whipped up freezing winds to chill the hearts and break the bond. When finally I was able to return to his land it was a return to heartbreak.  Our love was true.   Our love was deep.  But sadly love is not always enough to turn the passion of first love into the enduring love of companionship.

Now, nearing the end of the autumn of my life, I wonder about love.  Are such experiences only for the young?  Can love warm a cold heart again?

Union, painting by Judith Shaw

Union, oil on canvas, 49″x40″ by Judith Shaw

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Boann, Celtic Goddess of Imagination

The Celtic Goddesses are deeply rooted in place. From their various locations they fulfill two main functions in Celtic mythology.  They are guardians and protectors of the land who bestow sovereignty on the king, presiding over sources and destinations.  Their other function is as goddesses of inspiration and Boann, Celtic Goddess of Inspiration,painting by Judith Shawcreativity, ruling the realm of imagination

Boann falls into the second category as Goddess of Inspiration and Creativity.  She rules over writing in general and poetry in particular.  Flowing waters, spiritual insight, fertility, knowledge and creativity are Her domain.

She was also known as “White Cow.”  Cows were sacred and associated with water in many ancient cultures.  In the eyes of the ancients, both milk and water, the substances of life, flowed from the breast of the Goddess. In addition to being associated with rivers, some scholars connect Boann with the heavens. The Milky Way is also known as “Way of the White Cow”.  Boann, as “White Cow” thus either becomes or rules over the river of heaven, the Milky way.

Read my retelling of Boann’s story on my post from last month on the Feminism and Religion Blog.

Mor, Goddess of the Setting Sun

As I near the end of my self-assigned project to create a deck of Celtic Goddess cards I find that my retelling of their stories is changing.  Now I am seeing a way to reclaim the power these Goddess had long ago, before the world turned and the age of Patriarchy took hold.

The Celts did not have a written language so all of their stories were passed down orally.  Many of their stories and myths were first written down between the 10th – 12th century, well after Christianity and a patriarchal world view had taken hold.  But the original power of many of these Goddesses and Gods can be gleamed from the written stories.   celtic goddess art by judith shaw

And now with only five goddesses to go to complete a deck of 30 cards, I find that I am de-patriarchalizing (a cool new term coined by Nancy Vedder-Shults, FAR member) their stories, changing up some details and giving them back their agency and power.   So looks like I’ve still got a lot of work left – editing and re-writing some of the first ones I wrote.

My most recent painting and story is of Mor, Goddess of Sun and Sea.  Though She is a Sun Goddess, She is mainly associated with the setting sun, thus reigning over death and rebirth also. Mor, was known to some as Queen of the Island of Women, one of the Celtic Otherworlds, characterized as a place of eternal youth, and abundance.

Read the 10th century version of Mor and my retelling of her place as an ancient and powerful Goddess on the Feminism and Religion Blog. Click here

Canola, Celtic Goddess of Creativity

My most recent exploration of Celtic Goddesses was of one who left me with a very peaceful feeling, the type of feeling induced by deeply moving music.

celtic goddess art by Judith ShawCanola, Celtic Goddess of Inspiration and Creativity, is another ancient Celtic Goddess whose story comes down to us in very limited form.

One day Canola had an argument with Her lover.  Goddesses, being intermediaries between our physical world and the infinite Source of All, feel emotions in a similar fashion to mortal humans.  So, like any mortal woman, Canola was upset by their argument.

To calm Her distress, She decided to walk along the seashore and feel the peace and beauty of the natural world.  After awhile She heard beautiful, ephemeral music being carried to Her by the wind. She was so enchanted that She forgot her distress over the argument and sat down to listen more closely.  She fell asleep as the music continued to wash over Her soul.

Upon awakening, thoughts of Her lover and their argument were gone.  Still entranced by the music She searched for its origin.  And She found it – offered to Her by the Earth Mother who nurtures and loves all of Her children on land and on sea.  She found the source of the music emanating from the carcass of a giant whale laying on the beach. The wind was strumming the notes across dried sinews still attached to the rib-bones of the whale. From the death of one creature, new life would be formed.

When Canola lay sleeping, She surely was able to access the creative inspiration brought to us in our dreams.  Now awake and witnessing the gift offered to Her by Mother Goddess, inspiration struck.  Canola, with Her creative intelligence and Her love, created the harp, Ireland’s national emblem to this day.

Read about the shape of the original harp and the wisdom Canola offers on by post at the Feminism and Religion Blog – click here.

 

Rosmerta, Celtic Goddess of Abundance

As we near August 1, known to the ancient Celts as Lughnasadh or Lammas, examples of abundance are everywhere.  Gardens and farms are in full bloom with some crops ready for harvest and others very near.  Lambs born in spring are now reaching maturity. Days are still long and we are full of energy. It is a perfect time to remember the Celtic Goddess, Rosmerta.

Rosmerta, celtic goddess painting by Judith ShawRosmerta,  a goddess loved by both Celtic and Roman Gauls was known as ”The Great Provider”. She is a goddess of fertility and wealth. She was worshipped in South-western Britain, Gaul, and along the Rhone and the Rhine rivers.

After the region was conquered by Rome, Rosmerta was incorporated into the Roman pantheon, becoming associated with Mercury.  Though She has been called Mercury’s consort there is no evidence that was the nature of their relationship.  She survived in the Roman era as a powerful goddess in Her own right, being depicted alone many times.  Alone and with Mercury, She carries a cornucopia and a basket of fruit, symbols of abundance.   A giving goddess, She was often shown with a patera, a ritual offering bowl, and with a ladle or scepter.

Read the rest of my thoughts on Rosmerta and view some ancient images of her on my recent post on the Feminism and Religion blog.  Click here.

Mary Magdalene – Priestess of Christ

I was invited to enter a piece to be judged for a show at Brigid’s Place in Houston, TX.  The invitation was to artists who would like to create a new vision of Mary Magdalene. The show, to take place this July, is entitled Re-IMAGE-Ing Mary Magdalene.

Though I did not know much about Mary Magdalene, I have been interested in her part in the life of Jesus and in the legends surrounding her.  So, I decided to take on the challenge and to write an essay about her for my monthly post on the Feminism and Religion blog site.  It begins like this:

Who was Mary Magdalene? The first thought of many today is that Mary Magdalene was a repentant prostitute. But was she? Until the third century, Mary was considered an “apostle.”

Mary Magdalene, painting by Judith Shaw

Mary as an apostle posed a threat to the early Church patriarchs who denied women all authority in the Church. In addition, by early in the first century C.E., Mary Magdalene had become associated with Christian thought identified as heretical by the Church. The easiest way to eliminate Mary’s importance was to cast aspersions on her moral character.

Click here to read the rest of the essay which includes some of the legends surrounding Mary Magdalene.